Tuesday, August 19, 2014

My 5 Favorite Doll Photographers ~ Summer 2014

I love looking at pictures of dolls. Scientists have proven that looking at pictures of puppies and kittens can alter your brain waves and calm you. Then, there are those exciting, romantic landscape photos that give you a glimpse of another part of our planet. I love those, too! But, I love the doll photos best.

My favorite professional photographers are Annie Leibovitz, Mario Testino and Edward Steichen. They each have a distinctive and unique style and when you see one of their photographs, you know immediately who shot it. Their point of view through the camera lens is quite different from anyone else's.

In the doll world, we are blessed with many talented and creative doll photographers. It's a great deal of fun to see how each photographer's work changes over time as they learn new camera techniques, Photoshop tricks and all the other things that go with being a fashion doll photographer. These are my current Favorite Five!

Ready?

1. Sharon Marie Wright
She is a card carrying member of Screen Actor's Guild and an Emmy winning film director. Her experience is truly reflected in her photographs, too. Her images aren't just static pictures of dolls. Sharon's pictures tell a story. She's very artistic in her use of light to set a mood and her sense of humor is always evident. Often imitated, but never duplicated, she has raised the bar on doll photography since she emerged a couple of years ago.




Sharon is very generous as an artist, sharing tips and tricks about her techniques with other shutterbugs. But, even when you know how she did it, it's still difficult to make photos that look like hers. Sharon is one of a kind and much loved by her huge fan base of doll collectors and fellow photographers.





UPDATE: "Congratulations!" on Sharon's recent appointment by Jones Publishing as Executive Editor of Haute Doll Magazine. I'll look forward to seeing the next edition!







2. Deb Buckner 
(flickr handle: *disenchanted*deb)

Deb lives in Ohio, so I envy her the four seasons! (Here in Florida, we have a wet season and a dry season.) She often shoots her girls outdoors, and it's fun to see the changes in the weather through her doll photography.
I was first attracted to Deb's Poppy photos because she stages many of them in wonderful dioramas. She creates these dioramas, sewing, sawing, screwing and gluing things into place. I saw a vintage Susie Goose vanity in one of her dioramas that had been painted and I liked it so much, I messaged her and asked how she did it. Ever gracious, she told me everything I needed to know to make my own, including which paint works best!





It comes as no surprise that Deb is a talented seamstress, too! When I have admired her doll's fashions and inquired where they came from, her humble response, "I made it" just blew me away! We share a love of Poppy Parker and have become Facebook friends where I discovered she, too, collects the Fashion Royalty girls. We must be kindred spirits because we have a mutual admiration for Vanessa and Victoire Rouge. I've used several of Deb's photos for the banner photo on my Poppy Parker Fan Page on Facebook and I am extremely grateful that she is so generous in sharing her photos.








3. Barbara of Adelaide, Australia (flickr handle: poppybelle)

I cannot remember when I became aware of poppybelle. I think it was her Poppy Parker pictures that first drew me in. Browsing her flickr photos, I discovered that she does remarkable portraits of Poppy Parker and the Fashion Royalty Girls (I think Agnes is her favorite!).











I am particularly fond of how she redresses and restyles her girls, making them look so different from their original incarnations. The way she uses light and how she poses the dolls make her pictures clearly recognizable.














I am most appreciative of poppybelle's generosity in permitting the sharing of her photos. I am somewhat envious of her Poppy collection, too! She has many of the early dolls!









4. Lisa/Alex's dolls via flickr

This photographer gets around! Her travels take her to visit people and places which are reflected in her flickr photos. She photographs indoors and out, and I'm guessing she lives somewhere in the northeast, as her winter photos include snowy scenes!








I like Lisa/Alex's casual outdoor style a lot. She places her dolls in such a way that it appears to be perfectly normal for a doll to be there. Some people might find that a little strange, but I like it. It's why she's on my list.











She does really nice portraits of her girls, too. Her pictures clearly show her love of fashion dolls and that's REALLY what it's all about, in my humble opinion. Many thanks for allowing the sharing of photos!


















5. Michaela Unbehau via flickr 

My opening photo comes from the lens of this up and coming fashion doll photographer. She was recently profiled in the Winter 2013 issue of Fashion Doll Quarterly.



Unfortunately, Michaela does not allow sharing of her photos. No. Pinterest. No Tumblr. No Facebook or Twitter sharing. Which is a big bummer for me. She creates these amazing images of fashion dolls and we all want to see them, but she doesn't make it easy. I apologize if it sounds like I'm coming down on her. I just don't understand why people participate in photo sharing web sites and then don't want to let anyone share their pictures. I just don't get that.

So, now you're wondering where I got these photos posted here, right? Yep. Figured as much!

I found them on Pinterest. There are only a few. Like I said, she doesn't permit sharing. But, I did find a few and that's all we needed for this purpose.

That said, you can click on the link and go to Michaela's flickr site where you can see her amazing photos. Enjoy!


A final thought: I encourage doll photographers to watermark their photos before they upload them to the internet. When they are watermarked, we know who they belong to and can give the proper credit. As a long time doll collector, the internet has provided a wonderful environment for us to share our hobby, most often through photographs. If you're a photographer, claim your work so we can "LIKE" it! Isn't that what it's all about?

Wednesday, August 13, 2014

bullies on the highway ...

I have a really big beef with folks who drive. It's one of those things that no matter what a person does, it's not going to change anything. But, I still have a beef. So, I have decided to air my grievances here on my blog. After all, it is MY blog.

I live in sunny south Florida and use I-95 every day to get to my job. I follow all the rules of the road. I don't talk or text while I'm driving. I don't get in the fast lane and drive slow. I don't cut in front of people. Consequently, I haven't been involved in a traffic accident for 10 years.

Monday through Friday, I drive west on Sunrise Boulevard to the entrance ramp for southbound I-95. The problem is with the access to the entrance ramp. I don't know what engineer came up with the design, but I'd like to smack him up aside his head!

Sunrise is a 3-lane major roadway. On the approach to the left turn lane for the southbound ramp to I-95, the left turn lane is a single lane. There is a traffic signal to allow the traffic crossing Sunrise to the northbound ramp. On the other side of this intersection, the lane continues as a single lane until 5 car lengths before the traffic signal that permits that left turn onto the southbound ramp.

THIS is where the problem is. At the 5 car lengths point, that single left turn lane expands into two left turn lanes, allowing 2 cars through the signal on green, thus moving the traffic quickly onto the Interstate highway. What wasn't taken into account by that engineer was all the jerks who were going to race by those of us in line single file to cut in front of the cars approaching that 2-lane section of road. They speed by the line and cut right in so they make the next signal, instead of having to wait as many as three rotations of the signal to get through the intersection like the rest of us respectfully do. And, they appear to have no conscience about it. I blow my horn at them. I yell at them. I have even engaged in unladylike gestures when a driver is particularly rude, but all to no avail.


This vehicle cut in front of me and when I honked,
the driver used a rude gesture to express his annoyance
that I would blow my horn! Talk about jerks!

When I was a school girl and someone cut in the lunchroom line, there was a lot of verbal protest and the person was forced to go to the end of the line. We can't do that here. The police don't care; they've got real crimes to solve, real criminals to chase. So, I am stuck with these bullies on the highway and there's not a darned thing I can do about it.






Then, one morning I started taking their photos. I love my Galaxy S5 and its 13 megapixel camera. So, that is how I vent my frustration now. It's how I prevent "road rage." Instead of yelling or honking, I take their picture. If they have no regard for me, why should I have any regard for them?







I know it doesn't change anything. These drivers are still bullies. But, it makes me feel better to take their pictures. (The ones you see here are from August.) And, it is a relief to post them here and put them out to the Universe.




If you recognize a car, feel free to tell that driver to stop being a bully.  I hope you embarrass that person. They deserve to be embarrassed, among other things.

The world is tough enough without having to fight to get to work. No one is going to get where they're going any quicker by being in bully. In fact, you might even make yourself late. I think they call it karma ...

Friday, August 1, 2014

around here ...

Lord, have mercy, it's August again already! The last month with no "r" in it for this year! Holey mackerel!

Around here I've been ...





basking in the joy of "Tea with Barbie" at Old Davie School! For the fourth year in a row it was an amazing success!

playing with the new Poppys, Girl from I.N.T.E.G.R.I.T.Y. and Agent Lotta Danger

toiling over the 2014-2015 schedule for Art Gallery 21

reading "Older, Smaller, Better," measuring how the character of buildings and blocks influences urban vitality




searching the neighborhood for vacation home rentals; they are everywhere and changing the character of the neighborhood ...

cleaning off my desk at work and making a scrapbook page from the refuse (left)

waiting for my darling husband to create his first piece of 1/6 scale doll furniture; he's been studying and designing, so, now I'm waiting ... patiently ...

editing my doll collection

napping on the weekends

missing Jazzercise A LOT!

What are you up to?

Thursday, July 10, 2014

handmade

I like to make things. As long as I can remember, I've liked making things.

Way back in the 1970s when I was a young woman with a toddler, I was what we now call a stay-at-home mom. (We didn't call them stay-at-home moms back then. But, that's a story for another day.) Consequently, I had lots of time to make things. I crocheted edges on sheets and pillowcases, baby blankets and tea towels. I embroidered pillow tops for the sofa and dresses for my toddler. I sewed, too, on an old Singer portable sewing machine that came from my grandmother by way of my mother. One summer my neighbor taught me how to macramé and I made plant hangers galore! Another friend lead me to the discovery of  bargello and I simply loved making pillows using some variation of the flame stitch. I think it was the rhythm of the pattern that I found to be soothing. I must admit that there's something about the texture of fabric and thread in my hands that makes me feel at peace with the world.

As a doll collector, I have long been intrigued by those who make 1/6 scale things for their dolls. I drool over the photos of the finished products on Pinterest and shop on Etsy for dolly things. Then, one day not too long ago, quite by accident, I stumbled on Simplystella's Sketchbook about 1/6 scale magazine holders. The photos on her blog were really cute, so I downloaded the PDF, printed them on index stock, cut them out and made little 1/6 scale magazine holders. I was quite proud of myself. Then, I realized I needed 1/6 magazines to put in the holders!

I searched for 1/6 scale magazines on Pinterest, but didn't particularly like the few things that I found, so I did a Google search for VOGUE and Vanity Fair covers (as I am a faithful subscriber of both publications) and I created my own little magazines!


My little magazines, pictured here, have inside pages, but they are blank and for "show" only. All the cutting, gluing and assembling seemed challenging enough without inside printed pages, so that was the path I chose for this little project. And, I didn't finish them all in one sitting either; it took a few days, working on them here and there.

Today I finished my little 1/6 scale magazines, put them in the little 1/6 scale magazine holders and took a picture! And, I must say, I think they're pretty good for a beginner!

I'm thinking I'm going to need bookshelves for my magazine holders, so, I'll be poking around in my husband's workshop looking for scrap lumber. Maybe I can get him to help me with that part of it.

I've decided that I will make more of these, and, perhaps the next batch of magazines will have inside pages.  It'll take a little more time, but it just means the fun will last longer. And, that's really the best part of "handmade," isn't it? The doing?

Wednesday, July 2, 2014

a day without my cell phone ...

At 7:58 AM  I parked in the office lot and turned off the motor. As I reached across to the passenger's seat to grab my handbag, I realized I had forgotten my cell phone. Left it at home. My Galaxy S4. My "Life Companion."

I cannot just run back home and get it. It's a 25-minute drive under optimum conditions and conditions are not optimum today. I found myself thinking, "What kind of day will this be withOUT my phone? What in the world am I going to do?"

Then, I felt this emptiness in my chest for a brief moment. My big girl voice saying, "Cool it, chica. You'll be fine." My little girl voice saying, "I don't knooooww."

11:06 AM  THANK YOU, Google+!  I've had to look up 3 phone numbers so far this morning that I would have searched for on my phone. It just goes to show you that all the personal data we store on our phones has relevance to our daily lives. However, I appreciate Google+ even more than before. My camera phone photos are backed up. I have access, albeit, not mobile access. Still. I cannot say enough good things about Google+! If you've never used it, you're missing a great service. And, what's even better: IT'S FREE!

2:08 PM  A couple more hours and I can go home to my smart phone. What an awful thing to say, right?

Lunch time was a bore. I usually catch up on my reading and play a few rounds of Words With Friends. Today, I was relegated to reading the newspaper. Talk about a throwback to an earlier era! They're talking about moving the manatee from Endangered to Threatened status, an idea I do not endorse. Too many of them are still being killed by speeding boats. A 3-month-old baby is in intensive care and his mother has been arrested, and that was a sad story to read. And, last, but certainly not least, an investigation has revealed that former Sheriff Al Lamberti's staff destroyed his computer before the new sheriff took office, so I can't help but wonder what he's hiding. So, there's your local news for this afternoon, courtesy of the woman with no smart phone!

5:33 PM  I am finishing this at home on my smart phone. I survived. But, I did miss it. A lot. It's been a long time since I did that. I hope it's a long time until I do it again!


Monday, June 30, 2014

around here ...

"Summertime,
And the livin' is easy
Fish are jumpin'
And the cotton is high"
~ from 'Porgy & Bess' by George Gershwin

One of my roommate's photos, shot on
our balcony at the Hyatt in 2013 ...
jumping up and down with delight in anticipation of the Integrity Toys Convention in Orlando in November! (Attended my first convention last year in Los Angeles and had the most wonderful time! Wrote about it on my travel blog, here.)

designing a brochure for our network of environmental educators to share with returning teachers in August

crocheting a sock which I have undone three times, so far ... can't seem to get the tension quite right ... yet

dealing with a pulled muscle in my back (ouch! ouch! ouch!)

catching up on the ironing; I'm always amazed how quickly it piles up!

experimenting with salad recipes for summer meals



planning for "Tea with Barbie" in July ... this is our fourth year doing this event; it's been sold out every year and it appears this year will be no exception! It's a delightful afternoon of little girls dressed in their finest fashions accompanied by their moms, grandmothers and aunts and, of course, Barbie!






sorting photos I've shot over the past 7 years along Viele Road, a 1.5 mile stretch of rural road in the middle of a growing metropolitan area that I drive every day on my way to work ... been thinking about making a book. The entire road is a veritable feast for the eyes!






scanning Public Theatre photos from pre-digital days (1992-2000) and sharing them on Facebook in a "secret" group ... here, from the Public's production of "Cat on a Hot Tin Roof" by Tennessee Williams 






So, what have you been up to?

Thursday, June 26, 2014

5 Favorite Fonts of an Old Typesetter

Metal moveable type. Photo by Willi Heidelbach.
I began my career as a typesetter in 1973 at the Key West Citizen, "the only daily published newspaper in Monroe County." The printing industry was in the throes of switching from hot metal typesetting to phototypesetting, or "cold" type.

Until the advent of this new technology, men dominated the typesetting field because of the weight of the big wooden trays that held the lead type. It took broad shoulders and strong forearms to carry them. The introduction of cold type in the 1960s opened the door for women, like me, and all I needed to know was how to type.

Phototypesetting equipment prevailed throughout the
1970s and 1980s until Apple introduced the Macintosh
and desktop publishing was born.
As long as I can remember I have loved the physical act of writing. I spent hours as a child copying poems, stories and dictionary definitions just to have something to write. I was convinced at the age of 11 that I had lived as one of those monks of the middle ages, illuminating manuscripts for the wealthy patrons of the church.  I had visited the library often and I learned that some of the larger European monasteries contained separate areas for the monks who specialized in the production of manuscripts, a place called a scriptorium, and I could well imagine how those spaces felt and smelled. It was vivid in my imagination as a child, and actually is, still. Within the walls of a scriptorium were individualized areas where a monk could sit and work on a manuscript without being disturbed by his fellow brethren. To me, that would be heaven.

Typesetting was a natural fit for me and, as such, I spent twenty years of my life doing it for newspapers, magazines, advertising agencies and print shops. And, because I spent so much of my time immersed in type, I developed a list of favorites. So, on with the show!

Always at the top of my list is Garamond! There are a few versions, but, whichever one you're using, they all appear to have the characteristics of the original Garamond. The letterforms convey a sense of fluidity and there are unique characteristics in the letters, such as the small bowl of the lower case a and the small eye of the e. Long extenders and top serifs have a downward slope. And, the italics is, without question, THE most beautiful of any italic font found anywhere. More importantly, Garamond is considered to be among the most legible and readable serif typefaces for use in print (offline) applications today. It is truly a timeless font and belongs on all "best of" font lists.

My favorite sans serif type is Gill Sans, designed by graphic artist Eric Gill in 1926 when he painted a sign above the door of a bookstore. He was later commissioned to develop an entire family of fonts based on his design, and the story is that his font was meant to combat the "modern" faces coming out of Germany in that era, like Futura and Kabel. Gill Sans was released by Monotype Corporation in 1928 and has been a favorite of designers around the world ever since. Gill designed this face to function equally well as a text face and for display. THAT is what makes it a great font family, in my humble opinion, and it is my first font when I'm looking for sans serif body copy. I like the balance of the interletter relationships. I think it's because the capital M is based on the proportions of a square with the middle strokes meeting at the centre of that square. That gives it less of a mechanical feel than geometric sans serifs like Futura. It is a beautiful face and continues to thrive to this day, often being used to bring an artistic or cultural sensibility to projects. I truly love Gill Sans.

ITC Avant Garde is a distinctive sans serif that I consider the "Thoroughly Modern Millie" of typefaces. According to Wikipedia, it is based on the logo font used in the Avant Garde magazine of the 1970s. Herb Lubalin devised the logo concept and its companion headline typeface, then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface. It is very modern, yet, not mechanical. The roundness of the letters lends to its readability and, like Gill Sans, works as a headline type as well as a text face.







Palatino is the name of a large typeface family that began as an old style serif typeface designed by Hermann Zapf in Frankfurt, Germany. First released in 1948 by the Linotype foundry, it would be one of the Macintosh's original typefaces when the first Apple computer appeared in the 1980s. Like Garamond, it is highly readable as text and as a headline font, but, where Garamond is elegant letterforms (think Giorgio Armani), Palatino has a softness that is welcoming to the eye (think Ralph Lauren). I adore Palatino and use it over and over.






If I were trapped on a desert island and could only have one script font, it would have to be ITC Edwardian Script. Designed by Edward Benguiat, it has a musical character quality, but is clearly a calligraphic typeface. It is truly a delicate, yet sophisticated typeface. It is reported that the characters were each drawn and redrawn until the connections of the letters was perfected to create the look of true handwriting. It's probably THE most readable script font out there.


I still purchase fonts and have a library of fonts from across the web, acquired over the years. I am a font whore. But, when I am stuck, or don't know how to begin a project, I will go to one of these typefaces to help me tell the story. It works every single time.